There are way too many records released every week - which one should you listen to? We want to help you by reviewing lots of records every week and you can also check out a little teaser before reading the whole thing. And if you want to, you can also browse through our archive and have a look at the amazing records you might have missed out on.
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Sometimes we get promos and by looking at the combination of label and mentioned genre, of artist roots and band comparisons that this could be something right up one’s alley. To give you those cornerstones for this band: Exile On Mainstream – Doom – Punk – Ufomammut/Black Shape Of Nexus. And when you then realize that you saw that band a few years ago, then there is even a kind of need to write a review for their upcoming record, right? Therefore, this review must be about Confusion Master and their second record Haunted.
Continue reading >Shifting focus again, as fluid as the sands of time, Greg Schwann embraces the darkness of our times with aptly named The Collapse.
Continue reading >Post-Metal is, by definition or de facto, a form of metal that defies the boundaries of any other sub-genre and goes beyond categorization because it is an amalgam of different genres and thus steps above classical forms of metal like death metal or doom metal. Aegos from Texas released a debut album several months ago that unfortunately only caught our ears right now for it exemplifies the notion of post-metal to the t. Ladies and Gentlemen, behold The Great Burst Of Light.
Continue reading >Metal: now with balls and brass!
Continue reading >Source, Tags and Codes - and no this is not going to be a review trying to built connections between records that hold no connection. It’s just gonna use it to structure this review of Ekca Liena’s latest record. The second part of the text will be a short interview we did with Daniel Mackenzie, the mastermind behind the ambient project.
Continue reading >When we organized all our contributions for Consouling Sounds‘ live event at the beginning of October, they offered us an interview with a band from Ostend (right on the Belgian coast) and we were quite baffled because we had never heard of the band before. But after hearing the band Thorsten was just short of banging his head on the wall for the band is nothing short of terrific! They invented a term for their kind of music and usually those self-given terms are just another way of getting around calling your Amenra-clone “post-metal” even though that is what you really play. Mother play “Post-Blackgaze”
Continue reading >Okay, this is not going to be a review about one release only but about two – both involving Treha Sektori from Paris, France. Both somehow connected in all their ambiance, but at the same time also very different because of the participation of Russia’s Cross Bringer on one of them. May we present you: Masked God and Rejet.
Continue reading >Saint Petersburg. The second-largest city of Russia, and a veritable hot spot for quality -gaze music, be it blackgaze, dreamgaze, or straight-up shoegaze. Blankenberge, who recently released Everything, their third studio album since 2017, is one of them. But is it even possible to stand out in a genre many regards as stagnant, or even dead, without sounding like a tribute band of ages past?
Continue reading >In the last month of this bleak year comes Weedpecker from Warsaw, Poland, as a fresh cool breeze of memories of summers past with their multi-layered and anarchistic take on psychedelic stoner rock. It evokes the daze of the 60s when Blue Cheer came roaring out of the rehearsal studio, Jimi Hendrix set fire to his Fender on stage and Steppenwolf´s song line ”Heavy Metal Thunder” flew through the airwaves. But also nods to more modern desert rock bands like the Norwegian band We and Alabama Thunderpussy from the US.
Continue reading >Let’s not beat around the bush here: It’s very likely that we - being the writers of Veil of Sound and you as the ones reading our nonsense - share a certain affinity to Pelagic Records. In regards of Karin Park this means, that most of us are probably on the same page: we’ve gotten to know her rather recently, first as the congenial partner of her husband Kjetil Nernes in Årabrot, then channeling her inner Lisa Gerrard in her collaboration with electronic musician Lustmord. But her almost twenty years long career as an adventurous pop artist? If you’re not living in Northern Europe and you have neither seen her supporting Lana Del Rey live nor are a musical nerd interested in all worldwide versions of Les Misérables, then it has probably completely passed you by. Time to catch up!
Continue reading >Take a tour to the outer reaches of rock with the Portuguese collective Fere and their new brilliant album Visceral.
Continue reading >What makes a record heavy? The riffs? The tuning? The low-end rumbling? No – it‘s the pauses! Why? Because if everything is only dark without any light, without any rest – then everything will become a blur at one point. And with Modder‘s new self-titled record that becomes pretty obvious as they are really good at creating dark moments with the necessary pauses to highlight the strength and heaviness of the sounds around those small gaps of fresh air.
Continue reading >Golgotha’s Eye Of The Beholder is both fascinating and disturbing. Relinquishing control to the dark side will bring you on the murkiest, nerve-racking journey imaginable. Dark synthesised atmospherics are the soundtrack to this never ending nightmare. Brace yourself!
Continue reading >With over twenty years in the hardcore scene and many releases and influential albums under his belt, Nathan Gray now releases his third solo record and claims this is his most political album in the past years, maybe ever. With the “Iron Roses” he now has a whole band behind him and they set out to scream their message from the roofs.
Continue reading >I really thought that when I reviewed the last release by Hemelbestormer and the last release by Five the Hierophant that those two albums would be both the heaviest and the most visionary albums I would review this year. But the year has not ended and Cultro comes thundering to the scene with Phlegethon. An album so remarkable and inventive that I just want to write “this is good, buy it and enjoy.” The music is so broad, deep and mighty that it goes far beyond their peers in Post or Atmospheric Metal.
Continue reading >Everybody has a different way to deal with mental and personal problems. Some cry, are angry, maybe lash out. Aaron Steineker and his band Rising Insane work through pain with their music and while the pain might still be there, their new record Afterglow for sure is a manifest of strength and their way to deal with the crap the world throws at them.
“All good things must come to an end” is the old saying that came to mind back in September, 2015, when Maybeshewill announced they would be calling it quits, citing personal reasons, the following year after a final tour which included playing a show in New York City, their first show across the Atlantic Ocean. They had been a band for over a decade at that point and could definitely bow out gracefully, having four albums, an EP, and a sound of their own under their belt. It’s been said that some of the members probably would’ve preferred to keep the show rolling, but given the nature of this band and how tight they were, like a family, it would’ve had to be all in, or not at all, so that was that. On April 15, 2016, they played what was assumed to be their last show, a sold-out one at that, at KOKO in London. The end.. Right?
Continue reading >Houstons’ Diadem have released a three track EP under a dark wave of dream-gazed soundscapes and sweeping synthesised patinas. From the serene to the sinister, The Silver Tray serves up a truly unique and gothic inspired journey.
Continue reading >After much deliberation, I’ve decided that the best way to start this review is with a confession. Three listens into the latest Rival Consoles album, I am still not sure how I should be listening to it. Before you sharpen your pitchforks, understand that far from being a damning admission, this is a result of the incredible depth on display throughout a record that demands an astute and willing ear. Consider this piece a rhetorical insight into one the year’s more astounding electronic releases; an ebbing, flowing hors d’oeuvre that refuses to travel at anything other than it’s own pace. It’s a lock that perhaps doesn’t need to be unpicked, we simply owe it to stand back and admire.
Continue reading >Sometimes you hear a record and it immediately clicks and the feeling is right there for a review. Sometimes you need days and days, spin after spin for one. With Lhaäd’s debut Below it was definitely the former as this record takes us back several decades and also pushes us forward years at the same time. A wonderful trip back and forth in black metal past, present and future.
Continue reading >Thunderous melodies, wicked harmonies and explosive vocals go some way in describing Enshroud’s latest release Darkness Grips Us All. A technical masterclass armed with clever hooks and a potency that will devastate.
Continue reading >Whenever I hear the word ‘expanse’ I automatically think of the beginning of Star Trek, when they are talking about and its line of ”to boldly go where no man has gone before”. Why am I bringing this up in a review on a meandering, machine-like, industrialized, blackened ambient record? Because of the title and because of its structures!
Continue reading >How best to review the latest release by a highly productive artist who has released groundbreaking stuff in his own genre and who is – rightfully so – praised beyond recognition? Best stick to rule number one – stick to the release itself! Okay, so this is the review for SaffronKeira‘s new record The Faded Orbit.
Continue reading >True Hellvetic Black Metal. A new genre and a neologism in one. That’s what ERNTE, a brand new black metal outfit from Switzerland came up with. And if you think the name is silly and thus the band is too, well, you are mistaken! Why? Well, read for yourself!
Continue reading >Pantheist, the brainchild of Kostas Panagiotou, never does anything halfway and you are in for a treat when Pantheist releases a new album. This album is labeled as an EP, but clocks in at almost 48 minutes with four reflective and meditative Funeral Doom tracks. Lean back and enjoy the wide musical canvas Pantheist unfolds.
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